Eyes

Today I learned that we all have a dominant eye. It does make sense; I just have never thought of it. Apparently one eye is looking more intensely and it's physically sticking out more than the other; the passive eye is more relaxed, receiving and sits deeper in the eye socket. I was told that my left eye is dominant. When I put my attention to my seeing, I could actually feel it. It felt like my left eye was trying harder.

Yoga teaches us to balance. I am guessing this also applies to our eyes: From now on I will take some time (whenever I remember) to consciously make my right eye the dominant eye.

Like right now. That definitely feels weird.

Isn't the right eye connected to the left brain? Will this make me more creative?

American Yoga

In the last few weeks I have had the privilege to attend yoga classes with senior Iyengar yoga teachers in San Francisco and Washington DC. By the way, I am positively surprised by the positive vibe going on in Washington DC! I love it here! It helps that I am surrounded by fantastic people at an international symposium regarding sustainable buildings.

In San Francisco I visited the Iyengar Yoga Institute of San Francisco. I went to Janet McLeod's and Kathy Alef's class. In Washington DC I attended Giulia Mainieri's class at Unity Wood Yoga. In all three classes we did standing poses, forward bends and padmasana. We focused on the groins and shoulders. I took very valuable information from all three of these classes, the main points being:

• sitting in dandasana - rolling the top inner thighs down towards the floor
• extending the spine by elongating and relaxing - this is not a forceful movement. This allows the shoulders to relax into the correct position, rather than pressing it back
• relaxing the trapezius, outer shoulders moving back, armpit chest moving forward and up

In Padmasana:

• rotating the shin, so that the sole of the foot faces the ceiling and is high up on the thigh (ideally it presses into the abdomen)
• ensuring that the downward movement of the knee originates from the top of the femur.
• pubus moves up, so that the groins can release; lower abdomen moves in and up.

Leg Lifts

Variation of Malasana to relax the trapezius:
Squatting with your upper arms pressing down on to the knees/thighs. Elongates the trapezius down, away from the ears. Chest lifted.

Padanghustasana - looking up. Instead of thinking "looking up" Ingelise encouraged us to lengthen the throat, the seat of a vayu that is most often blocked.

Adho Mukkha Svanasana
Downward dog with blocks between the inner heels (the soft part of your inner heel, not the ankle)

Flow between Upward and Downward Dog with block between heels; can you roll your toes under in upward dog? Then do the same with block between knees

Downward Dog with block between lower arms

Chataranga with blocks between toes

Urdhva Prasarita Padasana Leg Lifts with block between heels

Jathara Parivartanasana - with block between heel; this teaches to extend through the inner heel and to keep the feet together - not an easy task!

• with partner's foot on the opposite shoulder - helps to keep the shoulder down
• with the thumb and one finger holding the ft of a chair, do this asana without pulling the chair - hard!

Variation of Jathara Parivartanasana - side leg lifts (if tired with bent legs) look up: the action is more in the lower back on the pelvic rim. Looking to the opposite side makes it rajasic in the chest area

Supta Virasana your buttocks on the bolster too, head on second bolster or block: strong stretch in the quads! keep top of shin bone down, knees moving towards each other; open chest. long front body, relaxed throat.

The Science of Yoga

First one has to study the poses. Not studying by reading about them, but by doing them. By experiencing whatever effect they have on us. Often we hear: it's not about who can be the biggest prezel. If it's not that, what is it about?

It's about the energy a yoga pose brings forward. There is nothing to get, there is nowhere to go to. It's already here. Waiting for us to discover it.

We need to understand the three energies that are the fabric of the universe, the three gunas: tama, raja and sattva. Tama is the earth energy: grounding, heavy, still. Its negative aspects are laziness, doubt, hesitation, heaviness. Raja is air; excitement, action, restlessness. Sattva is the peaceful energy that emerges when tama and raja are in balance.

Life is a play, a constant change between these 3 energies. So let's make peace with them and play with these energies! In a yoga pose, let's say tadasana mountain pose, you always want to ground with your feet and legs, that's the tamasic aspect. Tamasic in the positive way, heavy yet strong and engaged. You also want to lift: raja. Lift your chest, lift the sides of your torso equally on both sides. And suddenly there is sattva. Finding that peaceful place in between tama and raja: sattvic energy. An alert, vibrant, peaceful, joyful feeling. That's yoga.

The science of yoga is observing your body, your energy, experiencing how certain poses affect parts of your body or mind. And sometimes this science will turn into art.

"To work with these patterns is to play the music of our own body, our own mind. You count your way into the order of things." N.E. Sjoman

Anatomy

I highly recommend this book, if you want to deepen your understanding of the human body and hatha yoga. Understanding certain muscles and seeing them helps me to visualise relaxation or elongation or whatever is necessary in a certain pose. Two thumbs up!

Bec-bending (aka Backbending with Rebecca)

Rebecca - doing a variation of Dwi Pada Viparita Dandasana on a chair. Is there a name for this variation? This variation is a crazy, intense shoulder opener!

Urdhva Dhanurasana.
Very important: to extend the chest and lift the thighs, otherwise it is too much in my lower back.

Urdhva Dhanurasana. Rebecca's wheel is beautiful. Compare the two pictures and you can see how she really opens her chest in the top one. Also her knees are moving towards each other, which protects her lower back.

Variation of Dwi Pada Viparita Dandasana on a chair. Get up into headstand, put your feet against the wall and slowly work your way down to the chair. Open chest.

Pincha Mayurasana (peacock) towards Vrschikasana (Scorpion).

The block between the hands helps to keep the thumb side of the hand grounded. This pose develops the muscles in the shoulders and back. It tones the spine and stretches the abdominal muscles.

Meditation is...

...being the seeing.

Meditative awareness is an alert, empty, watchful consciousness for living all of life, without interference by conditioned, prejudiced, thought forms.
from Patanjali Now, Foster Walker